Johanna Bashford

Cardbonmade.com

http://www.carbonmade.com/portfolios/editorial-design


Portfolio showcase website. some really interesting editorial/ publication design portfolios out there.

worlds largest vending machine

BP

I really like what Landor did to redesign the BP brand, establishing its identity with global presence.

Typography Workshop

typeworkshop.com

I've just found a website which deals with teaching the wonders and woe's of Type design. Here are a few sketches of whats on the website, its really good fun to look at.

Update!

Its been ages since I've posted anything on this blog, I feel as though I should really have kept this going since the end of term but I've been fairly distracted by other things! So anyway, I've been learning Dreamweaver these past few weeks because a) i want to be good at it & b) I've always had an interest in web design. What baffles me about Dreamweaver is that now that its not just used as a web design tool but its kind of another InDesign, where you draw upon elements you create in Flash and Aftereffects to enhance the capabilities in Dreamweaver.

Its a great piece of software, there's so much to remember and I wouldn't have had a clue if it wasn't for this book I'm using... Dreamweaver for dummies. I'm about halfway... Hoping to have something to show when I get back in September.

also, the type museum in london is shut... this is going to cause problems for my diss research... doh!!! If anyone reading this was hoping to visit it aswell... well... you can't.

Over & Out.

Agamben

A while ago Agamben was invited to teach a seminar at NYU, but then canceled because he didn't agree with the new measures of being fingerprinted when entering the United States. Biopolitical tattooing, as he calls it. He wrote an explanation of his decision in Le Monde, encouraging European colleagues to follow his example, and stayed where he was. Agamben is practicing his idea of potentiality - having the power to do, or, as in this case, very well not to do something; and while refusal can be a political act in itself it seems that here it is incomplete. For what his decision inevitably entails is that he will never lecture in the United States again.

Not only is this result in nobody's interest (except the administration's, who should be delighted that their measures work so effectively in keeping, if not alleged terrorists, then at least dissenters and critical theorists under control and out of the country), but it does little to reinstate Agamben's potentiality either. He still doesn't get to do what he initially wanted, and should, do - lecture. This, he accepts as an unappealing necessity.

The more radical move would have been to do what he did, choose not to go and make his position clear, but then find a way of by-passing those restrictions. In this case for instance quite simply instead of being physically present and having to undergo the procedures holding a video-conference lecture. That way he still has a chance to articulate his concerns but furthermore uses available means' (in this case technology's) potential to assist radical, critical, creative activity. And crucially it is precisely this form of appearance (the ghostly appearance) that can allow Agamben to make, or rather perform, his statement and politics anew every single time he becomes quasi-present in a space in the US. In the way he chose to act he only got to make it once.

Science Under Fire

Check this out from Science Under Fire,

Wouldn't that be amazing.

Antony Micallef

I'm not normally a fan of artists but these days a lot of Art seems to be design based/ lead and a lot of Design caters for the Visual Aesthetic pleasures of the human Eye.

There is a fine line separating the two, which is a god and a bad thing as I am more interested in Design work, however, Anthony Micallef has a voice, a message and a style as an artists which attracts me to his work.

Matthew Hilton Logo

www.matthewhilton.com

The logo designed by Spin studios in London, is really cool. Go check it out on their website for a more contextual view of it.

Klaus Voormann

Look at this font.

Amazing.

Kenya Hara

Designer of the Matsuya Ginza Renewal.

http://www.ndc.co.jp/hara/home_e/

Really inspiring work here,

Japanese, minimalistic, classy, tasteful, graphick..y design.

I think this is really interesting stuff. Great use of layout, positioning, tone of voice from colour palettes, typefaces, print solutions... generally outstanding.

Miller Beer "Dominoes"

This is brilliant.

Holly Wales

I saw this in an old Creative review from a few months back. It reminded me of our BA Graphics photo page of everyone and how its been doodled on over the past 2 years.

If we ever have a "Class of..." we should keep that, scan it and have it printed up for everyone to keep.

Just an idea!

Timothy Helmer

http://www.smpl.be/

Another flash site, but if you check his work out you can see he did work for "Creative Network" in Belgium, something that the LCAD is involved with now. I am pretty sure its the same organisation, ish, that is involved in bringing together creative minds in cities.

Helmer predominantly uses sans serif fonts in his work, very rounded edges like a font called "ihop". It's a very modern, playful european look at the moment.

Funky Typeface

This is a promotional flyer done to promote a gig in which my old band (this city) are playing at later this month. I just wanted to comment on the type, which is seemingly hand rendered and uses no obvious details to define the letters. They are essentially just outlines which I think is pretty cool. Also all upper case to make it easier.

Experimental Jetset

Experimental Jetset come up with some really interesting type solutions, I think aesthetically they are visually pleasing and the solutions fulfill the brief criteria that you can read about on their website www.experimentaljetset.nl.

PPD Evaluation

PPD Evaluation

Ken Wong

The second year has been an invaluable learning experience, the course covered many important and key fundamental skills required in the field of Graphic Design. We began by understanding and appreciating print processes through the first module, it seemed as though it was part of our jobs as designers to look after the interests of our printers and clients, when dealing with print based jobs. We then moved onto Digital media, where we explored animation and DVD authoring which was a completely different learning experience through technology than we had done before. Along the way we have had our design practice 2 module which included D&AD and Type Sessions that were also invaluable, as well as other smaller modules.

There has been a considerable difference in personal demand in the second year; mainly on self-organisation and realisation of ones place in the graphic design industry. There has been a lot of pressure however the organisation skills that were learnt within the first year prepared us for the second year which ultimately pushes one to become a professional as opposed to a student. I knew I had a strong interest in typography and layout before I had began the course, however, I am now aware that that field is very diverse and perhaps (for now) I fall into a more corporate designer category. This is something that I am happy about, as I also have a st¬¬rong interest in avant-garde use of typography, therefore my understanding of the basic principles is required in order to understand how to break principles.

It is odd how yellow Post-it notes have become the backbone in my design practice, as I am heavily reliant on jotting reminders and ideas onto them constantly as a way of organising myself. I also use a diary which is adorned by yellow paper notes, which helps me organise my time and schedule for the course.

This year I have learnt a lot, respecting the conventions of typography and layout, grid systems, how to set up a basic website using Dreamweaver, how to design and authorize a DVD menu using After Effects, specifying documents for printers and animation using Flash. All of which I wanted to learn and came on the course knowing that I would be given the opportunity to do so. One key learning curve that I am really glad to have already experienced has been working on live briefs for clients. Producing work as part of the course operates differently from designing for a paying customer, the way in which the body of work that develops is slightly different as you take into consideration your interactions with the client and work in a way that keeps them happy. This is something that I really enjoyed and hope to gain a lot more experience, in the final year of the course.

There have a few occasions where I have slipped up and made bad decisions, or lack of decisions. Firstly being my negotiation of the design identity brief which I felt I should have been more decisive earlier on, however I also think I chose something that has been really useful and practical for me in the future, as I learnt a lot about publication layouts and am now beginning to feel competent when identifying grid systems. Another occasion was designing my DVD menu, looking back in retrospect I feel I didn’t convey my voice as a designer very well and worried too much about the technical side of the project.

On the positive side of things, I think my strengths rely on my ideas and concepts and working along them. My understanding of Graphic Design has been that we are “problem solvers” and I feel that I am playing that role out fairly confidently in regards to the D&AD project, print processes and 203 Brief solutions. Over the summer I am set to gain valuable work experience, and hope to maintain my momentum by working on live briefs/ projects in preparation for the third year; this will be important, as no doubt it will be a very demanding stage ahead. Upon returning for the final year, I hope to learn more about digital production such as website design and other on-screen based production as this is something I really wish to build upon.

Type is sexy .com

Typeissexy.com

"Principles of Typographic Design"


A great website which is extremely informative about typography, its pretty bite-size and doesn't go into much detail but is extremely useful. I think by visitng the website a handful of times, you would be able to remember pretty much all the information on it.

Orange - Romania

This is Wieden & Kennedy's campaign for Orange Mobile in Romania. Its very simple and utlises some really interesting photography. I like the tone of the photography, it is very much less saturated so that the orange stands out more. Again, Orange are using Helvetica Light (or a similar typeface) in their design which always looks comfortable.