Monday 7 July 2008

Agamben





A while ago Agamben was invited to teach a seminar at NYU, but then canceled because he didn't agree with the new measures of being fingerprinted when entering the United States. Biopolitical tattooing, as he calls it. He wrote an explanation of his decision in Le Monde, encouraging European colleagues to follow his example, and stayed where he was. Agamben is practicing his idea of potentiality - having the power to do, or, as in this case, very well not to do something; and while refusal can be a political act in itself it seems that here it is incomplete. For what his decision inevitably entails is that he will never lecture in the United States again.


Not only is this result in nobody's interest (except the administration's, who should be delighted that their measures work so effectively in keeping, if not alleged terrorists, then at least dissenters and critical theorists under control and out of the country), but it does little to reinstate Agamben's potentiality either. He still doesn't get to do what he initially wanted, and should, do - lecture. This, he accepts as an unappealing necessity.


The more radical move would have been to do what he did, choose not to go and make his position clear, but then find a way of by-passing those restrictions. In this case for instance quite simply instead of being physically present and having to undergo the procedures holding a video-conference lecture. That way he still has a chance to articulate his concerns but furthermore uses available means' (in this case technology's) potential to assist radical, critical, creative activity. And crucially it is precisely this form of appearance (the ghostly appearance) that can allow Agamben to make, or rather perform, his statement and politics anew every single time he becomes quasi-present in a space in the US. In the way he chose to act he only got to make it once.

Science Under Fire

Check this out from Science Under Fire,






Wouldn't that be amazing.

Antony Micallef

I'm not normally a fan of artists but these days a lot of Art seems to be design based/ lead and a lot of Design caters for the Visual Aesthetic pleasures of the human Eye.

There is a fine line separating the two, which is a god and a bad thing as I am more interested in Design work, however, Anthony Micallef has a voice, a message and a style as an artists which attracts me to his work.









Friday 4 July 2008

Matthew Hilton Logo



www.matthewhilton.com

The logo designed by Spin studios in London, is really cool. Go check it out on their website for a more contextual view of it.

Thursday 3 July 2008

Klaus Voormann

Look at this font.

Amazing.

Kenya Hara

Designer of the Matsuya Ginza Renewal.

http://www.ndc.co.jp/hara/home_e/

Really inspiring work here,

Japanese, minimalistic, classy, tasteful, graphick..y design.

I think this is really interesting stuff. Great use of layout, positioning, tone of voice from colour palettes, typefaces, print solutions... generally outstanding.

Miller Beer "Dominoes"



This is brilliant.

Wednesday 2 July 2008

Holly Wales

I saw this in an old Creative review from a few months back. It reminded me of our BA Graphics photo page of everyone and how its been doodled on over the past 2 years.

If we ever have a "Class of..." we should keep that, scan it and have it printed up for everyone to keep.

Just an idea!